Dossier documentaire
Esther Shalev-Gerz
Dossier documentaire
Mode d’emploi
> La partie « Découvrir l’exposition » offre une première approche des œuvres présentées
> La partie « Approfondir l’exposition » développe quant à elle plusieurs axes thématiques autour de l’image et de l’histoire de la représentation. Elle développe des pistes de travail, destinées à faire des liens avec les programmes des enseignements et des textes officiels du primaire et secondaire, dans un souci de transdisciplinarité. Nous remercions à ce titre
Rappel : Visites préparées pour les enseignants
Pour avoir une mise en page optimum du dossier, il vous est recommandé de les imprimer en recto verso.
Les Inséparables
2000-2010
Horloge, 67 x120 x 15 cm
Esther Shalev-Gerz
Les Inséparables
2000-2010
Vue de l’installation au Jeu de Paume :
Esther Shalev-Gerz
Les Inséparables
2000-2010
Vue de l’installation au Jeu de Paume :
Esther Shalev-Gerz
Anges inséparables 12
de l’installation Anges inséparables : la maison éphémère pour Walter Benjamin, 2000
Capture d’écran extraite de la vidéo, couleur,
Esther Shalev-Gerz
White-Out : entre l'écoute et la parole (Between Telling and Listening)
2002
Vue de l’installation au Jeu de Paume, composée de : une double projection vidéo synchronisée, DVD SD, couleur, sonore, 40 min ; 7 photographies couleur montées sous diasec, 80 x 120 cm chaque ; 6 textes contrecollés sur aluminium, 120 x150 cm chaque
Esther Shalev-Gerz
White-Out : entre l'écoute et la parole (Between Telling and Listening)
2002
Vue de l’installation au Jeu de Paume, composée de : une double projection vidéo synchronisée, DVD SD, couleur, sonore, 40 min ; 7 photographies couleur montées sous diasec, 80 x 120 cm chaque ; 6 textes contrecollés sur aluminium, 120 x150 cm chaque
Esther Shalev-Gerz
First Generation
2004-2006
Capture d’écran de la vidéo extraite de l’installation composée de : 1 rétroprojection vidéo, couleur,
Esther Shalev-Gerz
Première Génération
2004-2006
Vue de l’installation au Jeu de Paume, composée de :
Esther Shalev-Gerz
MenschenDinge (L’Aspect humain des choses)
2004-2006
Photographie couleur extraite de l’installation composée de : 5 vidéos, couleur, sonores,
Esther Shalev-Gerz
L’Aspect humain des choses
2004-2006
Vue de l’installation au Jeu de Paume, composée de : 5 vidéos, couleur, sonores, 22, 14, 23, 14 et 12
Esther Shalev-Gerz
L’Aspect humain des choses
2004-2006
Vue de l’installation au Jeu de Paume, composée de : 5 vidéos, couleur, sonores, 22, 14, 23, 14 et 12 minutes ; 25 photographies couleur contrecollées sur aluminium, montées sous diasec, 100 x 40 cm chaque
Esther Shalev-Gerz
Entre l’écoute et la parole : derniers témoins, Auschwitz 1945-2005
2004-2005
Vue de l’installation au Jeu de Paume, composée de : une triple projection vidéo synchronisée, couleur, muette, 40 minutes
Esther Shalev-Gerz
Echoes in Memory
2007
Photographie extraite de l’installation composée de : 2 vidéos, noir et blanc, muettes ; 24 photographies noir et blanc contrecollées sur aluminium, montées sous diasec, 49 x 33 cm chaque
Esther Shalev-Gerz
Echoes in Memory
2007
Vue de l’installation au Jeu de Paume, composée de : 2 vidéos, noir et blanc, muettes ; 24 photographies noir et blanc contrecollées sur aluminium, montées sous diasec, 49 x 33 cm chaque
Esther Shalev-Gerz
Sound Machine
2008
Capture d’écran extraite de l’installation composée de : 1 double projection vidéo synchronisée, couleur, muette, 6 minutes, en boucle ; 1 bande sonore,
Esther Shalev-Gerz
Sound Machine
2008
Vue de l’installation au Jeu de Paume, composée de :
Esther Shalev-Gerz
Perpetuum Mobile
1998-2000
Installation vidéo, noir et blanc, sonore, 30 min en boucle et bande sonore
Esther Shalev-Gerz
D’eux
2009
Capture d’écran extraite de la vidéo de l’installation composée de : 1 double projection vidéo, couleur, sonore ; photographies couleur ; bande sonore
Esther Shalev-Gerz
D’eux
2009
Capture d’écran extraite de la vidéo de l’installation composée de : 1 double projection vidéo, couleur, sonore ; photographies couleur ; bande sonore
Esther Shalev-Gerz
D’eux
2009
Vue de l’installation au Jeu de Paume, composée de : 1 double projection vidéo, couleur, sonore ;
Esther Shalev-Gerz
D’eux
2009
Vue de l’installation au Jeu de Paume, composée de :
Esther Shalev-Gerz
D’eux
2009
Vue de l’installation au Jeu de Paume, composée de :
Esther Shalev-Gerz
Les Inséparables
2000-2010
Horloge, 67 x120 x 15 cm
Esther Shalev-Gerz
Les Inséparables
2000-2010
Vue de l’installation au Jeu de Paume :
Esther Shalev-Gerz
Les Inséparables
2000-2010
Vue de l’installation au Jeu de Paume :
Esther Shalev-Gerz
Anges inséparables 12
de l’installation Anges inséparables : la maison éphémère pour Walter Benjamin, 2000
Capture d’écran extraite de la vidéo, couleur,
Esther Shalev-Gerz
White-Out : entre l'écoute et la parole (Between Telling and Listening)
2002
Vue de l’installation au Jeu de Paume, composée de : une double projection vidéo synchronisée, DVD SD, couleur, sonore, 40 min ; 7 photographies couleur montées sous diasec, 80 x 120 cm chaque ; 6 textes contrecollés sur aluminium, 120 x150 cm chaque
Esther Shalev-Gerz
White-Out : entre l'écoute et la parole (Between Telling and Listening)
2002
Vue de l’installation au Jeu de Paume, composée de : une double projection vidéo synchronisée, DVD SD, couleur, sonore, 40 min ; 7 photographies couleur montées sous diasec, 80 x 120 cm chaque ; 6 textes contrecollés sur aluminium, 120 x150 cm chaque
Esther Shalev-Gerz
First Generation
2004-2006
Capture d’écran de la vidéo extraite de l’installation composée de : 1 rétroprojection vidéo, couleur,
Esther Shalev-Gerz
Première Génération
2004-2006
Vue de l’installation au Jeu de Paume, composée de :
Esther Shalev-Gerz
MenschenDinge (L’Aspect humain des choses)
2004-2006
Photographie couleur extraite de l’installation composée de : 5 vidéos, couleur, sonores,
Esther Shalev-Gerz
L’Aspect humain des choses
2004-2006
Vue de l’installation au Jeu de Paume, composée de : 5 vidéos, couleur, sonores, 22, 14, 23, 14 et 12
Esther Shalev-Gerz
L’Aspect humain des choses
2004-2006
Vue de l’installation au Jeu de Paume, composée de : 5 vidéos, couleur, sonores, 22, 14, 23, 14 et 12 minutes ; 25 photographies couleur contrecollées sur aluminium, montées sous diasec, 100 x 40 cm chaque
Esther Shalev-Gerz
Entre l’écoute et la parole : derniers témoins, Auschwitz 1945-2005
2004-2005
Vue de l’installation au Jeu de Paume, composée de : une triple projection vidéo synchronisée, couleur, muette, 40 minutes
Esther Shalev-Gerz
Echoes in Memory
2007
Photographie extraite de l’installation composée de : 2 vidéos, noir et blanc, muettes ; 24 photographies noir et blanc contrecollées sur aluminium, montées sous diasec, 49 x 33 cm chaque
Esther Shalev-Gerz
Echoes in Memory
2007
Vue de l’installation au Jeu de Paume, composée de : 2 vidéos, noir et blanc, muettes ; 24 photographies noir et blanc contrecollées sur aluminium, montées sous diasec, 49 x 33 cm chaque
Esther Shalev-Gerz
Sound Machine
2008
Capture d’écran extraite de l’installation composée de : 1 double projection vidéo synchronisée, couleur, muette, 6 minutes, en boucle ; 1 bande sonore,
Esther Shalev-Gerz
Sound Machine
2008
Vue de l’installation au Jeu de Paume, composée de :
Esther Shalev-Gerz
Perpetuum Mobile
1998-2000
Installation vidéo, noir et blanc, sonore, 30 min en boucle et bande sonore
Esther Shalev-Gerz
D’eux
2009
Capture d’écran extraite de la vidéo de l’installation composée de : 1 double projection vidéo, couleur, sonore ; photographies couleur ; bande sonore
Esther Shalev-Gerz
D’eux
2009
Capture d’écran extraite de la vidéo de l’installation composée de : 1 double projection vidéo, couleur, sonore ; photographies couleur ; bande sonore
Esther Shalev-Gerz
D’eux
2009
Vue de l’installation au Jeu de Paume, composée de : 1 double projection vidéo, couleur, sonore ;
Esther Shalev-Gerz
D’eux
2009
Vue de l’installation au Jeu de Paume, composée de :
Esther Shalev-Gerz
D’eux
2009
Vue de l’installation au Jeu de Paume, composée de :
Esther Shalev-Gerz
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les politiques de la croyance
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