DOSSIER DOCUMENTAIRE, MODE D’EMPLOI
Il se compose de trois parties :Découvrir l’exposition offre une première approche du projet et du parcours de l’exposition, ainsi que des orientations bibliographiques.Approfondir l’exposition développe plusieurs axes thématiques autour des conceptions de la représentation et du statut des images.Pistes scolaires initie des questionnements et des recherches, en lien avec une sélection d’œuvres et de documents présentés dans l’exposition.
L’exposition
Nous habitons un monde de plus en plus saturé d’images. Leur nombre connaît une croissance exponentielle – sur les réseaux sociaux, les écrans en tout genre. Face à un tel trop plein, face à une telle surproduction d’images, se pose plus que jamais la question de leur économie. Les photographies, dessins, peintures, vidéos, films, créations numériques et installations multimédia de cette exposition explorent la fabrique du grand marché des images qui structure notre regard.
Contacts
Chargée des publics jeunes et scolairesjuliaparisot@jeudepaume.org
Informations et réservationsserviceeducatif@jeudepaume.org
Responsable du service éducatifsabinethiriot@jeudepaume.org
Conférencières et formatricesevelepaon@jeudepaume.org ceciletourneur@jeudepaume.org
Professeurs-relaiscelinelourd@jeudepaume.org cedricmontel@jeudepaume.org
Dossier Documentaire
Le supermarché des images
Addressability
2011
Courtesy de l’artiste © Jeff Guess
Jeff Guess
Gerry Images
2014
Courtesy de l'artiste © Documentation images Philipp Ottendörfer
Geraldine Juárez
Knitting the future
2016
Courtesy de l'artiste et du Singapore Art Museum © DR - Singapore Art Museum
Chuyia Chia
Cargo Cult
1966-1972
d'après la série : Body Beautiful, or Beauty Knows No Pain
Martha Rosler
Rogue Waves
2015
détail de l'exposition Infosphere / ZKM (DE)
Femke Herregraven
Degradación (Degradation)
2010
Courtesy de l’artiste © Máximo González
Máximo González
Are You Human?
2018
vue d'exposition au Kallmann Museum, Ismaning
Aram Bartholl
Telephone Pictures (Construction en émail 1, 2 et 3)
1923 (réédition de 2012)
© Courtesy Almine Rech et l'Estate László Moholy-Nagy
László Moholy-Nagy
Por um fio
1977-2004
Courtesy de l'artiste et de la galerie Lume, São Paulo © Ana Vitoria Mussi
Ana VitÓria Mussi
Horizon II
2016
Courtesy de l'artiste et de la galerie kurimanzutto, Mexico City / New York
Minerva Cuevas
ADM XI
2015
Vue de l''installation, Festival Gamerz, Fondation Vasarely, Aix-en-Provence, 2016 © RYBN.ORG, Photo Luce Moreau
RYBN.ORG
Personal Effect
2018
Courtesy du Studio Kevin Abosch © Studio Kevin Abosch
Kevin Abosch
Untitled
2001
Vue de l'installation au Museum Voorlinden
Maurizio Cattelan
Since You Were Born
2019
© Photo by Bob Self/The Florida Times-Union / Courtesy of MOCA, Jacksonville, Florida
Evan Roth
Twenty Red Lights
2017
Vue de l'installation au Museum Voorlinden Courtesy de l'artiste © Max de Esteban
Max de Esteban
Le Mécanisme Répétitif 05
2012
Courtesy de l'artiste © Li Hao
Hao Li
Dossier Documentaire
Le supermarché des images
Addressability
2011
Courtesy de l’artiste © Jeff Guess
Jeff Guess
Gerry Images
2014
Courtesy de l'artiste © Documentation images Philipp Ottendörfer
Geraldine Juárez
Knitting the future
2016
Courtesy de l'artiste et du Singapore Art Museum © DR - Singapore Art Museum
Chuyia Chia
Cargo Cult
1966-1972
d'après la série : Body Beautiful, or Beauty Knows No Pain
Martha Rosler
Rogue Waves
2015
détail de l'exposition Infosphere / ZKM (DE)
Femke Herregraven
Degradación (Degradation)
2010
Courtesy de l’artiste © Máximo González
Máximo González
Are You Human?
2018
vue d'exposition au Kallmann Museum, Ismaning
Aram Bartholl
Telephone Pictures (Construction en émail 1, 2 et 3)
1923 (réédition de 2012)
© Courtesy Almine Rech et l'Estate László Moholy-Nagy
László Moholy-Nagy
Por um fio
1977-2004
Courtesy de l'artiste et de la galerie Lume, São Paulo © Ana Vitoria Mussi
Ana VitÓria Mussi
Horizon II
2016
Courtesy de l'artiste et de la galerie kurimanzutto, Mexico City / New York
Minerva Cuevas
ADM XI
2015
Vue de l''installation, Festival Gamerz, Fondation Vasarely, Aix-en-Provence, 2016 © RYBN.ORG, Photo Luce Moreau
RYBN.ORG
Personal Effect
2018
Courtesy du Studio Kevin Abosch © Studio Kevin Abosch
Kevin Abosch
Untitled
2001
Vue de l'installation au Museum Voorlinden
Maurizio Cattelan
Since You Were Born
2019
© Photo by Bob Self/The Florida Times-Union / Courtesy of MOCA, Jacksonville, Florida
Evan Roth
Twenty Red Lights
2017
Vue de l'installation au Museum Voorlinden Courtesy de l'artiste © Max de Esteban
Max de Esteban
Le Mécanisme Répétitif 05
2012
Courtesy de l'artiste © Li Hao
Hao Li
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